'So many people have tried to educate British people on the importance of the Good Friday Agreement and hopefully “Derry Girls” has succeeded,' one viewer ...
“Sometimes there are no words that can adequately capture the emotion and significance of something as horrific as Bloody Sunday or important as the Good Friday Agreement,” one viewer wrote. Another commenter wrote: “Lessons from Derry Girls tonight. The agreement was signed in Northern Ireland on 10 April 1998.
The show has been hugely well received since Erin, Orla, Michelle, Clare and 'the wee English fella' James first appeared on our screens in 2018, winning ...
When it came to the big question of whether James and Erin would get together after their kiss earlier in the series, fans were left wanting more. The fear and uncertainty about what lies ahead was beautifully summed up in Erin's monologue about being scared to grow up. You can get more TV news and other story updates by subscribing to our newsletters here.
In the last ever episode, Orla and Erin's 18th birthday was in threat of being overshadowed - by the Good Friday Agreement referendum.
As Erin said, in a monologue to James’s camcorder, “things can’t stay the same… The Troubles has always been a backdrop to the teenagers’ lives – occasionally scary, often inconvenient and nothing compared to the drama of trying to get to a Take That concert. Only in Derry Girls would the two be presented as almost equally life-changing.
Chelsea takes in the mail with a smile and starts reading the letter that the main characters – Erin (Saoirse-Monica Jackson), Clare (Nicola Coughlan), Michelle ...
I’m delighted to say we’ll be returning for one extended special – airing in the same week as our final episode. Chelsea takes in the mail with a smile and starts reading the letter that the main characters – Erin (Saoirse-Monica Jackson), Clare (Nicola Coughlan), Michelle (Jamie-Lee O’Donnell), Orla (Louisa Harland) and James (Dylan Llewellyn) – wrote her in the final episode of season two. To see out the third and final series of the comedy, Channel 4 aired an extended special set around the Good Friday Agreement – and it did not disappoint.
This perfectly proportioned ending tugs at the heartstrings, and delivers the funniest TV scene of the year bar none. Rarely does a comedy bow out on such a ...
This does not downplay the magnitude of the shifting political landscape (and what better time to be reminded of it) but plays it out as it affects ordinary people’s lives, which is smart and touching. It is Orla and Erin’s joint 18th birthday party, and the Good Friday agreement referendum is taking place. (To its credit, Derry Girls has tried to make a virtue out of Nicola Coughlan’s clear lack of availability for filming, owing to a Bridgerton clash; almost every episode has involved a guessing game as to how Clare might not make it to whatever mess they’ve got themselves caught up in.) It pulls at the heartstrings but avoids being too cheesy, so when it goes for the big dramatic moments, it almost always lands them. It’s the ultimate in 90s nostalgia, from its soundtrack to the Claire Danes in Romeo and Juliet idolisation to queueing at a record shop to pick up tickets made out of paper. The final series of Derry Girls (Channel 4) has been a triumph.
The past four years have been an emotional journey for Erin, Michelle, Clare, Orla and James, of course, and Wednesday night's big finale did not disappoint.
You can see some of the social media reaction to the big finale below... And it's not just the fans who are heartbroken the hit show has come to a end. It's the end of an era - Derry Girls has aired for the final time...
Derry Girls aired its final ever episode on Wednesday night and featured a major celebrity cameo that left fans floored…
"Like many, I am a big fan of the series, and I was honoured to be able to appear in the very special final episode. I then tried people in Queen’s University and eventually it was a manager in America who used to work for the Clintons. She acted like this middlewoman for us and she rang me one night and was like 'Chelsea’s in!' and I was like ‘Oh my God!' I was trying everywhere, it was embarrassing, I even contacted some politician in America who was not a Clinton fan and I thought because they were all Democrats, it would be all lovely and they get on.
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Arguably the biggest shock of the entire show was saved for the final moment, confirming Lisa McGee and the Derry Girls cast and crews’ ability to make you laugh, cry and gasp in surprise all at the same time. Along the way she is seen eating a cream horn (no doubt from the awn bakery near Pump Street) and freestyling on the Derry Walls, where she is joined by a troupe of young Irish dancers, before stumbling into an army checkpoint at Bishop Street barracks and coming right back down to reality, Derry 1990s style. Ladies (and the wee English fella) take a bow! The show shared footage from Derry on January 30 1972 when 13 innocent men and boys attending an anti-internment march were shot dead by paratroopers from the British army. Jenny also got a fitting send off in the finale via a signature over the top 18th ‘Jennywood’ birthday party with champers, a ‘wee horse’, butler service and goodie bags, while cousins Erin (Saoirse-Monica Jackson) and Orla had to make do with sharing their doomed Literary Monkeys-themed birthday bash venue with each other and a pile of quids-in primary school children post-First Communion, as their parents tried to save a bit of dough. Derry Girls has never shied away from tackling the big events going on in the background in the 1990s here and this episode was no different.
The sitcom, set in Northern Ireland in the 1990s, captures the way in which normal life persisted amid violence | Culture.
Northern Ireland once exported huge ships (including the Titanic). It then exported death as the Troubles spread with terrorist attacks in Britain, the Republic of Ireland and continental Europe. Now it is exporting something which is a product of that history, but not a prisoner of it. Referring to a famous Derry rock band which emerged in the 1970s, he argues that the sitcom is “doing for a modern audience what The Undertones did back in the day—these teenage guys set against the backdrop of war, just singing about teenage stuff. By the end of the exercise the blackboard for similarities is empty; the board for differences is full. The blackboard demonstrates the depth of the writing by Lisa McGee, herself a Derry girl. For those who came of age in Northern Ireland in the 1990s, the series offers nostalgia—in terms of both the music, outfits and sense of danger and the well-intentioned attempts to convince Catholics and Protestants to get along. The new exhibit is a recreation of the most famous prop in “Derry Girls”, a masterful comedy which broadcasts its final episode on May 18th.