PAUL MCCARTNEY and The Beatles' producer, George Martin, grew frustrated with George Harrison during the recording of one of his songs from Revolver.
He told the journalist: "I remember the day he [Harrison] called to ask for help on Taxman, one of his first songs. I threw in a few one-liners to help the song along because that’s what he asked for. Despite this, the guitarist "reluctantly agreed" to let McCartney do his solo for him. But the perfectionist could not quite finish off the song exactly how he wanted. The mean-spirited song was aimed at the HMRC who, he claimed, were taking lots of money from him in income tax. In the mid-1960s The Beatles were releasing albums thick and fast.
The band consisted of the Wiggin sisters, Dorothy, Helen, Betty and Rachel. Their oddball rock-fanatic father, Austin, insisted that the girls form a rock group ...
The album has since had a significant influence on avant-garde music and was even endorsed by Kurt Cobain, which, considering he created Nirvana’s ‘Beans’, brings very little in the way of surprise. In 1980, Philosophy of the World was reissued by popular demand, now immortalised in its strange corner of rock and roll history. Appearing on the Dr. Demento Show in the early ’70s, Zappa was tasked with selecting some of his favourite songs. This, ostensibly, was enough for Austin to drop everything and force the final piece of his mother’s puzzle into place. After what Austin deemed enough practice and musical theory, he named his new family collective The Shaggs, after the popular “shag” hairstyle and as a reference to shaggy dogs. The final twist to the prophecy was that these daughters would form a popular music group.
Alternate versions, studio banter, and even previously unreleased recordings were featured on the discs, along with new tracks recorded by the surviving members ...
That was more satisfying than just taking a John song, which was what we did for the second, ‘Real Love’. It worked out great but it wasn’t as much fun.” But it’s the end of the line, really. “[‘Free As A Bird’] was really like working on a record with John, as Lennon/McCartney/Harrison, because we all chipped in a bit on this one,” McCartney shared. “It felt very natural and it was a lot of fun, but emotional too, at times. Another reason might have been that recording ‘Real Love’ wasn’t as satisfying to the band as ‘Free as a Bird’. The arrangement also required quite a bit of fixing up in order to fully fleshed out the song, something that would have required more extensive input than the other tracks.
Bowie was the postmodern spirit personified, and nothing could stop him in his quest to achieve his ultimate goal, total artistic enlightenment. He led by ...
During the track, Bowie sings “I heard the news today, oh boy”, which is quite famously the chorus for ‘A Day in the Life’, and it just seems too specific to be a coincidence, particularly when you consider the impact The Beatles had on Bowie. On this version of ‘Across the Universe’, Lennon recalled: “I thought, great, because I’d never done a good version of that song myself. Notably, he worked with a host of legends across his career, from Tony Visconti to Mick Ronson and even disco master Nile Rodgers. However, the most prominent is the former Beatles frontman John Lennon, whom he collaborated with for two tracks on 1975’s Young Americans.
Too often has The Beatles drummer, Ringo Starr, been the butt of some unkind jokes. Falsely reportedly that a gag purported by his bandmate John Lennon, ...
That’s perhaps Ringo’s crowning achievement in life: he inspired literally millions of people to pick up the sticks and have a go themselves. It remains one of the Beatles’ ultimate fan favourite songs and we’re given even more room to appreciate the track through Ringo’s unique playing style. He then went on to detail what exactly he loved about it: “I was into the snare and hi-hat. The isolated drums will leave you in total awe of Ringo’s mastery but, more importantly, it dispels the myth that he’s not even the best drummer in The Beatles. The difference is that Ringo was not only capable of achieving what was required but doing it with an effortlessness that seemingly annoyed his contemporaries. Paul’s contribution was the way Ringo played the drums.” This comment provides perhaps the biggest bugbear people have when it comes to Ringo — he was always under heavy direction. A sequence of interesting fills that he attributes to his unique style of drumming. The striking opening lines, “She said, she said, I know what it’s like to be dead,” were attributed by Lennon after a particular night with acid took place with members of The Beatles and The Byrds. The song ‘She Said She Said’, a track penned by Lennon for the 1966 album Revolver, was once described as “an ‘acidy’ song” by Lennon. It was the beginning of the band’s rejection of their pop star tagline. However, below, we have just the thing as we’re bringing you five isolated drum tracks to prove that Ringo Starr was one of rock music’s understated geniuses. In fact, his refusal to embellish his playing style is what endeared him to the rest of The Beatles. The truth is that Ringo may not have been a studious percussionist, or particularly gifted with what was deemed as precision playing, but he had that one unteachable thing that every musician craves — he had style.
We are taking a look at a list of songs by The Beatles that Paul McCartney has expressed a dislike for and it reads as a reminder of his love for the band.
I think it was a little more mine than John’s… You sometimes start a song and hope the best will arrive by the time you get to the chorus, but sometimes that’s all you get, and I suspect this was one of them. We didn’t need to compile this list to show you that Paul McCartney loved his time with The Beatles, but it does go a long way to prove it. While the reasoning behind ‘Across the Universe’ is a little murkier, there’s a good case to say that during the time of recording, McCartney and Lennon were at their lowest ebb, perhaps influencing his feeling on the song then, even if that may have changed later on. A track that toyed with the avant-garde is usually a perfect song for McCartney. The songwriter enjoyed pushing the boundaries of what pop could be, but it would seem on this number, which has a habit of dividing Beatles fans, he found the constant snipping and sampling to be too much to bear. That’s one of them.” Later, he called the track a “failed attempt at a single”. As well as being a classic number, it is also one of the only songs that McCartney didn’t perform on, given that the bassist angrily stormed out of the studio during recording: “John brought it in pretty much finished,” recalled McCartney in Barry Miles’ Many Years From Now. “I’m not sure, but I think it was one of the only Beatle records I never played on. Lennon was as happy to promote the work of The Beatles as he was to trash it. For every true Beatles fan, there must be a hatful of songs that don’t reach the pinnacle of the band’s work. It means that McCartney very rarely made it known of the songs he disliked. To find those songs, we have to peer into a few different caves before finding the nugget of truth behind his camera-ready answers. Lennon picked out more than a handful of songs that he hated while alive; McCartney’s distaste is a little harder to decipher. Of course, The Beatles are one of the most potent bands to have ever existed, and their canon is beyond impressive, but, even with their robust catalogue, there are plenty of songs that fall below the watermark the Fab Four set out.
Agent Sam Leach had booked the Aldershot venue in an attempt to market the band to London agents and bring the group success outside of their home turf in ...
The band, which later included Ringo Star as the drummer, went on to become one of the most influential rock bands of all time. The Fab Four packed up that night and headed towards London to play an impromptu set at the Blue Gardenia Club instead. As alcohol was consumed by an unenthused band, the noise levels rose prompting a neighbour to call the police. In his book ‘Beatle! The Pete Best Story’, Pete recalled how George and Paul started dancing a foxtrot together whilst the band played. Call it miscommunication, mismanagement or just a mess-up, but the advert never appeared so the fans failed to show. But early on in The Beatles success story, they were faced with a very different, and significantly smaller, audience.