Glastonbury Sunday lineup

As the festival goes out with a bang with Diana Ross, Kendrick Lamar and Pet Shop Boys, follow our guide on how to watch a Glastonbury Sunday 2022 live ...

- 3pm-4pm - Koven - 6.15pm-7.15pm - TBC - 2pm-3pm - TBC - 3.30pm-4.30pm - Clairo - 6.30pm-7.30pm - Turnstile - 9.45pm-11.15pm - Bicep - 12.45pm-1.30pm - Dakhabrakha While this can be used for privacy, it can also be used to access your preferred streaming platform back home, even when you're out of the country. Not in the UK right now? If you want to watch LIVE Glastonbury coverage only, BBC iPlayer (opens in new tab) will be providing live streams of a selection of the biggest Glastonbury stages. Here's how to watch Sunday at Glastonbury 2022 as the headliners close out the festival. There's a certain sweet sadness to Sunday at the Glastonbury Festival. One last day before everyone goes back to reality for another year.

Years & Years is the solo project of British singer Olly Alexander. In March 2021 band members Mikey Goldsworthy and Emre Türkmen stepped down leaving Olly ...

Alexander will be performing hits such as King and Shine between 7:45 and 8:45 on Sunday. The fourteen time Grammy award winning artist will begin his set at 9:45 and will finish at 11:15. Ross’ set is expected to last for about an hour and a quarter and will finish at around quarter past five.

Here's the full line-up on the Pyramid Stage and where you can watch Glastonbury on TV.

You can tune in to BBC Two to watch the performances on Sunday at 5pm and again at 8pm through to 12am on Monday. - Where to watch Glastonbury on TV - Full BBC schedule this weekend Glastonbury Festival 2022: Where to watch Glastonbury on TV and full set-list for Sunday

Billie Eilish, Self Esteem, Paul McCartney, Olivia Rodrigo, Noel Gallagher, AJ Tracey, Sam Fender and Wet Leg were all electrifying.

But if you stick around, after that there’s going to be a lot of very happy people in bucket hats.” True to his word, he starts rolling out Oasis singalongs – Half the World Away, Wonderwall, Don’t Look Back in Anger – in due course. The big screens capture the puppyish elation on Springsteen’s face as he and McCartney trade lines on Glory Days and I Wanna Be Your Man; a seventysomething rock legend momentarily turned back into the obsessive Beatles fan he was in his teens, he looks as if he can scarcely believe his luck. The crowd joins in a chant of “climate justice” at the end. On Saturday afternoon, Self Esteem’s appearance on the John Peel stage has a similar effect to Wet Leg and Sam Fender – within minutes of her arrival on stage, you can’t get near the tent, let alone into it, without an unfeasible amount of determination. As the sun begins to set, Burna Boy’s appearance on the Other stage pulls out all the stops, with fireworks, flamethrowers and a confetti cannon during the closer Ye. Larded with Afrobeats horns and a choir, he sounds fantastic. Occasionally, some of the between-song chat – heavy on stuff about loving yourself and empowerment – feels more suited to a teen-pop audience than a Glastonbury crowd, but the audience go with it: if she asks them to crouch down then jump, they happily oblige. Over on the Pyramid stage, Wolf Alice – visibly frazzled by a journey to Glastonbury so chaotic it looked at one stage as if they wouldn’t make it – get a similarly ecstatic, and deserved, reception. Her big hits – Bury a Friend, You Should See Me in a Crown, Bad Guy – pack an immense bass-heavy punch and the title track of her most recent album, Happier Than Ever, provides a stunning finale, slowly building into a ferociously angry, pyrotechnic-abetted coda. It’s a sweet and oddly moving scene, and it seems to say something about the first Glastonbury since 2019. It is, however, frequently hard to hear Wet Leg over the sound of the audience singing, or in the case of the fabulously deadpan Ur Mum, screaming along. A few years back, it’s hard not to think her presence would have caused controversy – some berk would have got up a keep-Glasto-rock petition about it – but in 2022 it seems to pass without comment. The crowd don’t just part to let it through: when they realise who’s inside it, they line the sides of the road, not cheering or shouting, but respectfully applauding as it passes.