TOKYO — Issey Miyake, who built one of Japan's biggest fashion brands and was known for his boldly sculpted pleated pieces as well as former Apple CEO Steve ...
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Miyake defined an era in Japan's modern history, reaching stardom in the 1970s with his origami-like pleats that transformed usually crass polyester into ...
Born in Hiroshima in 1938, Miyake was a star as soon as he hit the European runways. Miyake kept his family life private, and survivors are not known. His down-to-earth clothing was meant to celebrate the human body regardless of race, build, size or age.
After surviving the atomic bombing of Hiroshima as a child, Miyake turned to clothes as a modern, optimistic form of creativity, and revived the use of ...
And the first 15 years of his atelier's production is captured in a lavishly cool monograph, Issey Miyake & Miyake Design Studio 1970-1985 (Works Words Years) (1985). A landmark retrospective of his workwas held at the National Art Center in Tokyo in 2016, covering 45 years of his design work. As well as the Met, his clothes are held by insitutions including the Museum of Modern Art in New York, the Victoria & Albert Museum, London, and the Denver Art Museum, where pieces by Miyake and Yamamoto are hung alongside Japanese traditional garments. Miyake handed over the running of his business, which had expanded into fragrances—including L'eau d'Issey—and other merchandise, to others in 1997, to focus on research into new fabrics and production techniques, fuelled by his interest in the connection between technology and creativity. In 2009, Miyake, who had long been reluctant to be labelled "the designer who survived the atomic bomb", wrote a powerful op-ed articleon his experience for the New York Times, in which he encouraged then-US president Barack Obama to visit the city to demonstrate his commitment to eliminating nuclear weapons. Miyake made another kind of headline when he supplied what became a trademark polyester-cotton turtleneck to the co-founder of Apple, Steve Jobs, a piece of clothing that became as much of a brand marker for the biggest tech company in the world as the bitten-apple logo and the curve of a corner on the iPhone. On a trip to Japan in the 1980s, Jobs had admired the practical chic of the grey uniforms worn by Sony workers, and that company's chief, Akio Morita, told him that Miyake had designed them. But Miyake, who did not care for the cost and impracticality of haute couture, brought this side of his work to the high street in 1993 with his Pleats Please clothes—now collectors' items—where heat-treated polyester was used to create genuinely unisex, permanently pleated, free-flowing, one-size-fits-all garments.
The Japanese designer died in a Tokyo hospital after a battle with cancer.
His spirit of joy, empowerment and beauty will be carried on by the next generations.” "Always a pioneer, Miyake both embraced traditional handcrafts but also looked to the next solution: the newest technology driven by research and development." Per his wishes, there will be no funeral or memorial service held.
Following the news of Issey Miyake's death, we've highlighted seven projects created by the Japanese fashion designer over his five-decade-long career.
Issey Miyake acquired a motley crew of celebrity fans during his lifetime – from Steve Jobs to Kim Kardashian. Here are the celebrity fans of Issey Miyake.
One of Jones’s most memorable Miyake looks – a straw hat the size of a flying saucer – was referenced in the visuals surrounding Beyoncé’s latest album, Renaissance. In fact, the knowledge that Miyake was behind that indelible sweater may come as a surprise to those who are familiar with his runway collections. Despite his flair for the avant-garde, he was a designer for all.
From Pleats Please to his nineties cult fragrance, Isobel Van Dyke looks back at the five most pivotal moments of the late designer's career.
In 1983, Issey Miyake met legendary fashion photographer Irving Penn whilst both were working on an editorial shoot for American Vogue. The result of the meeting was a 13 year-long collaboration, several books and some of the most treasured images of Miyake’s work to exist. Pleats were a signature of Fortuny’s creations, but in the 80s, fashion editor Sylviia Rubin credited Miyake with ‘reinventing’ the Fortuny pleat. Mariano Fortuny opened his couture house in 1906 and based his gowns on the ease and lightness of Grecian tunics. Within Miyake’s ocean of knowledge, his pleats were the waves that caused ripples in every corner of the planet. In 1993 Issey Miyake launched Pleats Please - arguably the most recognisable branch of his work. To help paint a broader picture of the designer’s life, we’ve zoomed in on five key moments…
The pioneering Japanese designer leaves behind a legacy of innovative fashion design.
In 1999, he introduced the A-POC range, a return to his original A Piece of Cloth concept. When I studied fashion history in the 2000s it was as if it only existed in London, Paris, Milan and New York but this “new wave” of Japanese designers paved the way for other international designers to follow. This is evident in his many innovations, especially in the way he blended his Japanese heritage with his European and North American experiences. He was celebrated for clothing that responded to the body in movement and which was conceptual in design but also completely appropriate for the everyday. There’s much for the next generation of fashion designers to learn from Miyake’s body of work, from his innovative reinvention of Japanese clothing traditions to his bravery in embracing new textile technologies and silhouettes. He witnessed the revolutionary May 1968 protests in Paris, a series of student and worker demonstrations that resulted in improved workers’ rights and rapid social change.
Clothes are two-dimensional pieces of fabric until they are worn on the body. Pleats spring to life after being squashed between layers of paper in a heat ...
In order to maintain our editorial independence, our print newspaper and news website receives no funding from the University of Cambridge or its constituent Colleges. This ethos is epitomised by A-POC (“a piece of clothing”), a collaboration with textile engineer Dai Fujiwara. The duo developed a revolutionary design technique where a tubular piece of cloth is produced from a pattern programme fed into a knitting machine. In his runway collections, Miyake introduced experimental silhouettes (such as the 1994 ‘Flying Saucer’ dress) and used innovative materials such as washi paper, horsehair and raffia. He leaves behind a legacy of innovative grace, and infinite possibility. Born in Hiroshima, Japan in 1938, Miyake wanted to become a dancer as a child and studied graphic design at university in Tokyo. After a short stint in New York in 1969, he founded the Miyake Design Studio in 1970 back in Tokyo to create high-end womenswear. He was, in his own words: “interested in making clothing that is worn by people in the real world”. He preached an exact, straightforward simplicity and was obsessed with the art of creating garments that were airy, practical, and famously never creased. I’m not doing sculpture”), this did not mean he denied clothing as a craft that requires sophistication, consideration and innovation. He created costumes for the Ballet Frankfurt and often collaborated with dancers such as Momix and Daniel Ezralow. “I wanted the clothes to move when people moved,” Miyake once stated: “The clothes are also for people to dance or laugh.” This pioneering innovation eventually yielded Pleats Please, founded in 1993 and establishing Miyake as a household name. Miyake’s novel technique involved cutting, sewing and assembling the garment before rather than traditionally after pleating the fabric, resulting in exquisite yet durable ready-to-wear clothing well-suited for dancers. Clothes are two-dimensional pieces of fabric until they are worn on the body.