This very special story about a boy kept cloistered in a remote house is an astute mix of gothic, thriller and family drama. You'll want to watch the whole ...
All eight episodes are stripped across the week in pairs, though the whole thing is available to watch in one go: given the concise, neat nature of its half-hour episodes, this would be very easy to do. It has a strong sense of its own visual identity, and adds up to a feeling that what we are watching is both mundane and eerie. It is the kind of drama that rewards knowing as little as possible about it, as it unfurls the story slowly and with great care. And we see it in Danny’s nightmares, depicted with painterly horror, as a monster-made-real haunts a darker version of Danny’s already dark world. Like its predecessor, this has a big, bold soundtrack, with music playing a crucial role, flowing in to block out the hard stuff, bubbling up to see out a particularly dramatic scene with style. Steve is trying to keep his son safe from the “monsters” outside, but when Danny turns 18, he is wrenched out of his home and sent, or more accurately taken, back into the real world.
Only Lewis Gribben could've played Danny, at once a vulnerable, tender performance, and one with a single-minded determination to it.
Samuel Bottomley, meanwhile, offers an interesting foil to Lewis Gribben: cousin Aaron is, in some ways, as dislocated from the world as Danny is, struggling to fit in and never quite feeling at ease within himself. It’s at once a very vulnerable, very tender performance, and one with a certain single-minded determination about it; there’s a real sense of history to Gribben’s performance, which manages to capture a sense of unstudied childlike innocence and a mature-beyond-his-years preparedness to confront monsters, a pointed and deliberate mess of contradictions. But by the same measure, Somewhere Boy always makes an effort to root that within a plainly genuine kind of love and affection; Danny always insists his dad loved him, that his dad was protecting him, that his dad would never lie to him; part of the series is about gradually taking that apart, gradually illustrating the scale of Danny’s father’s abuse and how deeply those scars run. When he goes to live with his aunt and cousin Aaron, Danny is too frightened to leave the house, and insistent on keeping the people he starts to care about close to him in a way not unlike his father – it’s a little reminiscent of a former cult member undergoing a process of deprogramming, in a way. Growing up, his only exposure to the outside world was a pizza advert tracked in on his dad’s shoe; now, he’s being introduced to a world of karaoke and pubs and internet porn and garden parties.