Glass Onion

It's safe to say that the Netflix whodunnit sequel is a star-studded affair.

[Sign up for Netflix from £6.99 a month](https://www.netflix.com/gb/). This is one of the more substantial cameos in the film in that it could potentially see Grant reprise the role in future Knives Out instalments. He appears in only one scene as an assistant to Miles (credited as Efficient Man), whose job is to spray each of the guests with a substance that apparently stops the risk of contracting COVID and thereby prevents them from needing masks. [subscribe now](http://radiotimes.com/magazine-subscription?utm_term=evergreen-article). [Netflix](http://www.radiotimes.com/netflix). This one is more hidden than most – in that Gordon-Levitt's face doesn't actually appear at any point in the film. The third player in the game of Among us is Kareem Abdul-Jabbar – who is probably less well-known to fans in the UK. Williams stars as a virtual version of herself on a fitness machine belonging to Norton's Miles Bron. She is teaming up with Glass Onion writer Rian Johnson again for the upcoming Peacock series Poker Face. Like Lansbury, Sondheim's cameo is his final screen appearance – with the musical theatre legend having passed away aged 91 in November 2021. The great Dame Angela Lansbury appears in her final screen role during an early scene, filmed before she passed away at the age of 96 in October of this year. But those aren't the only famous faces to appear throughout the film's runtime.

Murder mystery follow-up is out on the streaming service now.

Glass Onion: A Knives Out Mystery is streaming now on Netflix. How did @rianjohnson and @EdwardNorton so perfectly capture late 2022 @elonmusk?” someone else asked. Craig is the only actor from Knives Out to return for the sequel, which places Blanc in the middle of a whole new mystery on a Greek island.

We'll join the action just after the flashback following Benoit Blanc and Helen-as-Andi ends, when the Distuptors realise Duke's pistol is missing and Helen's ...

And Miles' murders are the essence of what makes him such a charlatan. Like his Glass Onion building they look complex, but there's nothing in the middle of them. Eventually, they work up to destroying the one thing, as he puts it, that nobody wants destroyed: the Mona Lisa. Klear kills him, and ensures he'll get his wish to be mentioned in the same breath as the Mona Lisa. His mates smashing those artworks is, weirdly enough, a reaction that fits Miles' view of the world. It's just that the breath is going to be saying, "Miles Bron, the guy who destroyed the Mona Lisa with his incredibly dangerous fuel". She realises it's in Miles' office, but as soon as she's got it and revealed who she actually is to the group, Miles burns the napkin with his absurdly powerful lighter. This, Blanc says, is because Lionel flagged up the existence of the cocktail napkin to Miles. Just as she'd noted earlier on, Kathryn Hahn's Claire realises they're in the middle of the feared "Hindenburg". Blanc concludes that Miles did all three murders – or, at least, two murders and one attempted murder – to make sure that Andi never made public the fact that Miles stole the Alpha company from her, and that she was the actual genius behind the idea which started Alpha. Helen launches a nugget of Klear at the fireplace. We'll join the action just after the flashback following Benoit Blanc and Helen-as-Andi ends, when the Distuptors realise Duke's pistol is missing and Helen's just taken a bullet right in the diary.

"Glass Onion: A Knives Out Mystery" was filmed in Greece and on stage in Serbia. The Amanzoe resort near Porto Heli plays the private estate in the movie.

“There was some outdoor stuff for which we shot a few things on location last fall in Connecticut and New York, and then everything inside was built in Serbia,” Heinrichs told the “When they all arrive in Greece and are waiting for the yacht, that’s Spetses.” The vacation-based tale will surely satisfy anyone who’s desperate for another season of [The White Lotus](https://www.housebeautiful.com/lifestyle/a41352985/white-lotus-season-2-filming-locations-italy/). [Amanzoe](https://go.redirectingat.com/?id=74968X1525080&url=https%3A%2F%2Fwww.aman.com%2Fresorts%2Famanzoe), a luxury resort and hotel near Porto Heli, Greece. Plus, the island is riddled with impressive homes, swanky shops, and gourmet dining options. While on the island, you can expect to travel by horse-drawn carriages, bike, or on foot. “Trading the browns of New England for the blue and yellows of Greece” was a deliberate move meant to separate the sequel from its predecessor, according to writer-director-producer Rian Johnson. “It’s very epic, almost like the Colosseum, to approach the villa—which lends itself to the idea that people are about to kill each other.” [Massachusetts mansion in Knives Out](https://www.housebeautiful.com/design-inspiration/a30143056/knives-out-set/) made for an unforgettable murder mystery setting. You can stroll along the island’s The resort is comprised of cabanas, pavilions, and villas that have private pools with breathtaking views of olive groves and the Aegean sea. That estate is played by the

When asked whether he'd ever write a whodunit about the downfall of Twitter, the director joked, “Didn't I just do that?”

You’re building a little microcosm of society with the suspects and the power structure within the suspects. The opening gambit of writer-director Rian Johnson’s Glass Onion: A Knives Out Mystery, his second in his series of Agatha Christie–style whodunits, is one of mischief. A few recent films have tried to engage with Covid-19, or include the pandemic in stories.

'Glass Onion' has a character played by Edward Norton that seems to be a direct send-up of Elon Musk, the billionaire head of Twitter.

All the people who, at best, happened to be in the right at the right time. Not to get at the core of American capitalism, but if we acknowledge that the people with all the power and money might not be the smartest all the time...then where does that leave our meritocracy? Glass Onion does a good job of showing how sometimes the "brilliant" folks are just the ones willing to hurt others to climb up the social hierarchy. It's that if you can scam and claw your way to the top, then you are too big to fail. Bron represents all the people in power we should question. No, no, no Elon is a free speech absolutist, and sure he [bans journalists](https://mashable.com/article/twitter-suspends-journalists-elon) and [reinstates hateful right-wingers](https://mashable.com/article/elon-musk-reinstated-banned-twitter-accounts-list) but he's not red-pilled. Hell, Bron is willing to risk total destruction to power the world with a dangerous energy source. Be willing to break the thing that nobody wants you to break? But what's more important is what the film has to say about people like Bron and Musk. [bullied](https://www.wired.com/2009/06/eberhard/) [his way](https://www.latimes.com/archives/la-xpm-2009-sep-22-fi-tesla22-story.html) [into power](https://www.businessinsider.com/elon-musk-twitter-ultimatum-failed-workers-arent-tolerating-aggressive-leadership-2022-11) and [formed](https://parade.com/1364075/jessicasager/elon-musk-net-worth/) his massive wealth off valuations of his companies. And it relates to current events so well, I'd argue, the film understands someone like Musk at his core. [people posting on Twitter](https://twitter.com/search?q=elon%20musk%20miles%20bron&src=typed_query) — where else – that they saw the similarities as well.

It's crazy to think that Rian Johnson's Knives Out sequel was written before the billionaire's takeover of Twitter.

They look from one to another, and realise that despite his promises of a future built on Klear, they had the power all along. Like I say, there have been a lot of tech bro bad guys in the last 10 years, and most of them have an Icarus-style fable comeuppance. On top of that, though, there’s subtler Musk mockery and satire here, and it’s built into the finale through the people who cling to him. So, for me, the job was with Rian to pick and choose the perfect characteristics to send up a particular type of person." That’s where the cautionary tech bro tale takes a turn. He’s so hopped up on his own genius and hung up on his legacy he’s willing to the entire world into a bomb with his magic but nowhere near safe fuel, Klear. Riz Ahmed did a specifically Muskish turn in Venom as Carlton Drake, a man obsessed with jumping ship from this ailing world and colonising the stars. "The fact that Bron’s a tech billionaire – which made a lot of sense for the story – became an obstacle in the writing,” Johnson told Deadline. And so, disconnecting him from that, and trying to build him as his own kind of clownish character, became a challenge." That’s the bit of him that’s captured most clearly in Miles. Edward Norton plays the Alpha Industries co-founder with a mixture of quasi-spiritual solemnity, a particularly fragile kind of self-belief and sick-making smugness that feels very familiar. "My take on this was really to know that Miles is a character cut from a very specific species," Edward Norton added.

Partway into “Glass Onion,” the new sequel to 2019 murder mystery “Knives Out,” tech billionaire Miles Bron (Edward Norton) excitedly outlines the “murder ...

Of course, when Bron’s foolishness culminates in the destruction of the “Mona Lisa,” it’s just a movie. And even when Blanc lays out the crudeness of Bron’s plan, his friends still cling to the myth of his genius. Just as for much of the movie, Blanc and the viewer doubt Bron would be so stupid as to kill the woman he just had a very public court battle with, so many people believed that His island is only accessible via a glass dock that looks impressive, but is only accessible at low tide, with the local police referring to it as a “piece of s---.” He brushes aside warnings that his hydrogen fuel is too unstable — heedlessness that literally blows up in his face. Blanc — and the viewer — wants the solution to be more complicated, to contain some sort of hidden brilliance. He’s destroyed his reputation, exposed himself as a murderer and incinerated his house — and the “Mona Lisa” to boot. And, most prominently, many believed Musk had a plan when he massively [ overpaid](https://www.barrons.com/articles/elon-musk-twitter-deal-price-51664920306) for [have left many small investors wiped out, wondering if they'll ever be made whole](https://www.nytimes.com/2022/12/05/business/cryptocurrency-investors-ftx-blockfi.html). But, [ as Norton has noted](https://www.slashfilm.com/1101648/edward-nortons-glass-onion-character-was-inspired-by-a-number-of-real-unnamed-billionaires/), he and writer-director Rian Johnson based Bron on multiple (unnamed) real-life billionaires and tech figures, not one specific person. [Thanks](https://www.theatlantic.com/ideas/archive/2022/12/elon-musk-twitter-ceo-billionaire-social-media/672542/) to [recent headlines](https://www.reuters.com/business/autos-transportation/tesla-shares-tumble-track-worst-month-ever-2022-12-22/), for many viewers, Bron’s mixture of bluster, hubris and half-baked ideas will likely bring to mind Twitter owner and part-time car enthusiast Elon Musk. The movie’s root conflict — Bron’s ouster of Helen’s sister Cassandra (Monáe) from the company they co-founded based on Cassandra’s idea — evokes [Mark Zuckerberg’s battles](https://www.businessinsider.com/how-mark-zuckerberg-booted-his-co-founder-out-of-the-company-2012-5) in [building Facebook](https://abcnews.go.com/TheLaw/story?id=3391856&page=1). Partway into “Glass Onion,” the new sequel to 2019 murder mystery “Knives Out,” tech billionaire Miles Bron (Edward Norton) excitedly outlines the “murder mystery” game he has devised for his guests.