The Last of Us Episode 3

2023 - 1 - 30

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Image courtesy of "Radio Times"

The Last of Us writer was "a wreck" during episode 3 filming (Radio Times)

The Last of Us episode 3, starring Nick Offerman and Murray Bartlett as Bill and Frank, even broke the showrunners.

[subscribe now](http://radiotimes.com/magazine-subscription?utm_term=evergreen-article). [RadioTimes.com](https://www.radiotimes.com/) and other press: "Ultimately, adaptation is all about choices. "So everything we did, all of that adaptation process, picking and choosing, for me, came down to loving the game, and understanding the game. "And what do I think we would absolutely have to change to adapt to a medium that is passive, that isn't interactive, that doesn't require gameplay? "There are incredibly rich characters, and most importantly rich relationships. [Sci-Fi](https://www.radiotimes.com/tv/sci-fi/) coverage or visit our [TV Guide](https://www.radiotimes.com/tv/tv-listings/) or [Streaming Guide](https://www.radiotimes.com/streaming-guide/) to find out what else is on. And we can talk until our faces turn blue about how we make those choices. As I said, I had to stop because it was too much to do it in one sitting. "And the game is like that, people might not think it is but honestly, you've never played a game like it - it's so heartfelt. Even if it’s different." And that's how he sees the world. That's how he tells stories.

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Image courtesy of "Dexerto"

The Last of Us Episode 3: What was Frank sick with? (Dexerto)

According to co-showrunner Craig Mazin, Frank had either multiple sclerosis (MS) or early amyotrophic lateral sclerosis (AMS). When their story reaches 2023, ...

What was Frank sick with in The Last of Us? You can check out the rest of our coverage Bill gets shot. He’s slow, in constant pain, and ready to go. look, Bill is older. give me one more day,” he says.

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Image courtesy of "HITC"

The Last Of Us episode 3 cast: Introducing Bill and Frank (HITC)

The Last Of Us episode 3 promises the introduction of Bill, and his partner Frank, with some serious casting to compliment these characters.

The subtlety of their romantic relationship is brushed over in the game. Episode 3 of The Last Of Us series dives deep into the romantic bond between two men. In the video game, Bill’s fate is rather different. However, episode 3 introduces the characters of Bill and Frank. Audiences finally get to know how the pair met and how they plan to go out – in a tragic style. The series is an adaptation of the successful 2013 video game of the same name. Sadly, the couple meets their demise in the third episode. Most notably, Offerman played the role of Ron Swanson in the NBC sitcom Parks And Recreation. He also appeared in the 2016 film Looking: The Movie. After the shocking, heartbreaking ending of the second episode, Joel and Ellie, now without the help of Tess, face an incredibly difficult journey. Episode 3 has already promised the introduction of Bill, and his partner Frank, with some serious casting to compliment these characters. It also introduced The Fireflies and their leader Marlene, a resistance group determined to find a cure, and fight the oppressive remaining government forces

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Image courtesy of "Push Square"

TV Show Review: The Last Of Us (HBO) Episode 3 - Television At Its ... (Push Square)

Nick Offerman and Murray Bartlett, who play Bill and Frank respectively, are on top form here, offering up nuanced performances where every dashed tear and ...

[Where to Watch The Last of Us TV Show](https://www.pushsquare.com/guides/where-to-watch-the-last-of-us-tv-show) guide. It drew light to a different side of one of the game's most iconic characters, while fleshing out the narrative threads that were present on PlayStation, but never explored. Saying we were enthralled by the story of Bill and Frank would be putting it lightly, and this take on everyone's favourite prepper easily illustrates that the show can stand on its own two feet. This isn't the Bill you know from the games, and ultimately Offerman plays a softer version of the character over the harsh performance we got from W. Pascal and Ramsey don't get much to do in episode three, but already we're beginning to see those small little nuggets of fatherly affection slip through the cracks of Joel's hardened exterior. It's incredibly effective, and the creative team must be commended for resisting the urge to simply recreate what greatness they already had with the games.

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Image courtesy of "Inverse"

How 'The Last of Us' Episode 3 Foreshadows One Heartbreaking ... (Inverse)

Bill uses the letter to tell Joel just how much he respects him and reveals the kinship he feels with Pedro Pascal's gruff survivor. As Bill says in his letter, ...

However, it’s only when Bella Ramsey’s Ellie reads aloud Bill’s letter at the end of “Long Long Time” that it becomes clear just how much weight Bill and Frank’s romance carries within The Last of Us’ overall story. For Joel, Ellie is the “one person worth saving” that Bill references in his letter, and Joel doesn’t let anyone get in his way of doing that throughout 2013’s The Last of Us — not even in the critical moment when Ellie may have wanted him to. As fans of the original Last of Us already know, Joel gradually realizes over the course of that game that his relationship with Ellie represents a second chance at a satisfying life for both of them. He maintains an air of acceptance or, as Offerman’s Bill might say, satisfaction when he realizes that his life is about to come to an end. [the original Last of Us game](https://www.inverse.com/entertainment/the-last-of-us-episode-2-video-game) know well, the HBO series quickly pivots into new territory. Not only does it largely focus on two characters who are neither Joel (Pedro Pascal) nor Ellie (Bella Ramsey), but it’s also the first episode of The Last of Us that truly deviates in several major ways from its source material.

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Image courtesy of "digitalspy.com"

The Last of Us episode 3 is even sadder than you think (digitalspy.com)

You can see that Joel and Ellie are sad still, trying to recover from the death of Tess. But we also learn more about the Cordyceps infection and how it started ...

In case you haven't played the first one since 2013, or not at all, now's a good time to point out that the main loading screen for The Last of Us is yep, an open window, much like the one in Bill and Frank's bedroom. The Last of Us is available on HBO in US. "And it seemed like a good place for us to go," adds Mazin. [Joel](https://www.digitalspy.com/movies/a42015843/game-of-thrones-the-mandalorian-pedro-pascal-movie/) and [Ellie](https://www.digitalspy.com/tv/ustv/a42482503/the-last-of-us-ellie/) are sad still, trying to recover from the death of Tess. But it's not just the story itself that makes this so sad. But there's a reason for that, which series co-creator Craig Mazin explains in a new interview with This shot very deliberately avoids showing what became of Bill and Frank, swerving round the usual gruesome tendencies of this genre. "Obviously, we see Joel and Ellie disappear off into the sunset. But if we pull back through their window, see the flowers that have died, which is also heartbreaking, and one of Frank's pictures on the wall. But we also learn more about [the Cordyceps infection](https://www.digitalspy.com/tv/ustv/a42447508/last-of-us-fungus-virus-origin-explained/) and how it started, plus we meet that gross mushroom guy who's trapped under the rubble of a deserted gas station. They fall in love, and then so do we, with their story as Linda Ronstadt's aching ballad 'Long, Long Time' soundtracks their lives together. Because then we watch Joel and Ellie drive away through an open window.

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Image courtesy of "IGN"

The Last of Us Episode 3: TV Show vs Game Comparison - IGN (IGN)

HBO's The Last of Us is a mostly faithful adaptation of the hit PlayStation game. But just how close to its source material does it get? Episode 3 takes a big ...

According to the developer, it cost more to make than The Witcher 3's Blood and Wine expansion, which was practically a whole game in and of itself. The team consulted with fans early on in development, and this resulted in some incredibly creepy environments, so creepythat technical director David Robillard didn't like playing with headphones on after hours. HBO's The Last of Us is a mostly faithful adaptation of the hit PlayStation game.

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Image courtesy of "ComingSoon.net"

The Last of Us Episode 3 Recap, Theories, and Thoughts (ComingSoon.net)

As a fan of the video game, watching the show change things can make one feel antsy as our The Last of Us Episode 3 recap shows.

Hopefully, the showrunners finally unleash the unruly horror and gritty violence that drew us to the game in the first place. In the game, Ellie is tough and always on the lookout for a fight. Fans of the game will love the inclusion of crafting in this episode. Offerman, in particular, behaves just like his video game counterpart for much of the episode but, unfortunately, doesn’t get the same substance to chew on. Joel only meets Bill in a brief flashback, but he and Ellie never meet up with the character during the present-day storyline. The Last of Us video game works so well because it’s about the relationship that develops between Joel and Ellie during their wild journey across a desolate America. Ellie finds a box of tampons in a secret room, a minor but interesting beat. Later, they discover Frank hanging in a house with bite marks all over his body — depressing, to be sure, but isn’t that more in line with The Last of Us? Rather than follow the beats of the game, the series pivots and allows Bill and Frank to live a mostly peaceful life during which the pair paints, work out, enjoy romantic walks through sunshine-drenched neighborhoods, and pick fresh strawberries. When Joel shows the letter to Bill, he grumbles, “F—ing idiot,” and tosses the piece of paper away. I’m all for good character development and was always curious to see what happened to the pair of star-crossed lovers. Watching The Last of Us TV show is a difficult task.

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Image courtesy of "Radio Times"

What happened in The Last of Us episode 3? (Radio Times)

It's been hailed as one of the best episodes of TV in a long time. Nick Offerman as Bill and Murray Bartlett as Frank in The Last of Us.

As Joel and Ellie drive off, they find Bill's music in the car. Frank wakes up to the house under attack, and Bill is outside attempting to fend off the intruders. Joel and Ellie later arrive at Bill and Frank's place, to find it uncharacteristically run-down. In a soul-shattering moment, Frank tells Bill that today is his "last day". Cut to three years later, and the two of them are still together, having a raging argument about the appearance of their town. He's shot and looks in a bad way as Frank drags him back into the house and onto the table. Frank asks Bill who the girl he's singing about is, to which Bill replies: "There's no girl." Unable to listen any longer, Bill stops him and takes over, giving an emotional rendition of the song. Director Peter Hoar has said that Offerman was genuinely shaking during the piano scene - and that the pair's relationship was somewhat mirrored in real life as Bartlett guided Offerman through the scenes. He unsuccessfully tries to reroute her, but Ellie then sees countless skeletons, including that of a baby, buried in the ground. Watching the horrors unfold on a CCTV feed, he declares: "Not today, you new world order jackboots," before going about his plans and securing himself in a haven of his own making, complete with running hot water, all the wine he could drink, and booby traps to take care of any wandering infected, or any intruders. She sacrificed herself to buy Joel and Ellie time - and her loss is immediately felt in the opening scene.

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Image courtesy of "Gay Times Magazine"

The Last of Us: How episode 3 is a triumph in beautiful queer ... (Gay Times Magazine)

The Last of Us stars Murray Bartlett and Nick Offerman and director Peter Hoar discuss the HBO drama's groundbreaking new episode.

Hoar wants the gamers and viewers who aren’t accustomed to seeing positive queer narratives on-screen to “open their minds” in regards to “non-traditional” identities, and he says doing so within shows that aren’t explicitly marketed as ‘queer’ is a “clever way” to educate them. With characters of the LGBTQ+ experience such as Ellie, Bill and Frank – and in part two of the game, Dina – The Last of Us remains one of the queerest video games of all time; as a result, the franchise has garnered a fierce following of gay-mers. In his interview with GAY TIMES, Offerman shared insight as to why Bill was an important character for him to play at this point in his career: “I have a woodshop here in Los Angeles and right now we have five employees and four of them are women. We have a very diverse group in every way and the first woman who ran my shop was a powerful lesbian who was three times the worker I am. At the same screening, which was also attended by Hoar, cinematographer Eben Bolter highlighted how “meta” the piano scene was as a result of “Frank leading and guiding” Bill, which he said translated to Murray and Offerman’s off-screen chemistry. I think [Murray] was guiding him as a character and an actor.” Hoar said Offerman “cared so much” about honouring Bill, as well as a community that he doesn’t personally subscribe to. Bartlett, who previously collaborated with HBO on Sex and the City, Looking and The White Lotus, for which he won a Primetime Emmy Award, says everyone was “on the verge of tears” on the first day of set. After a wheelchair-bound Frank asks Bill to euthanize him, Bill subverts the harmful trope of equating homosexuality with tragedy as he lethally doses both of their wine glasses, admitting that he has no desire to live in a world without his soulmate. This is starting to sound grand – I do have a great love for this episode so it’s hard not to talk about it in grand terms sometimes – but I think in terms of queer relationships in film and TV, this is unique.” In a similar vein to the Channel 4 series, Bill and Frank’s story radiates joy, from their musical rendition of Linda Ronstadt to their first sexual encounter, as well as their beautiful – and heartwrenching – final moments together. After working in the industry for over two decades, however, Hoar says it’s no longer necessary for him to “tell stories about gays the way gays used to have stories told about them”, adding: “Although It’s a Sin was about shame, it worked because there was joy in it.” Long Long Time serves as an antidote, of sorts, to what came before: Bill and Frank are front and centre; homophobia isn’t present within the narrative; and tired LGBTQ+ tropes don’t have a say here.

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